Desc: The Wharf Rat: Directed by Chester Withey. With Mae Marsh, Robert Harron, Spottiswoode Aitken, Lillian Langdon. Carmen Wagner is an orphan, the daughter of a musician whose career was ruined by the nagging of her stepmother. Her grandfather, a violinist also, hates all women because of his son's ruined career. He tries to save his granddaughter, whom he adores, from the stepmother. He also makes his granddaughter a woman hater and brings her up disguised as a boy. While in this garb she meets Edward Holmes, a law clerk, and the two become friends. The stepmother, catching the grandfather giving Carmen music lessons, drives him from the house. Carmen runs away, joins him, and they become vagabond musicians. They take passage on a ship, and Edward Holmes, the law clerk of the firm, consulted by the stepmother, is delegated to find them. He takes passage on the same ship, identifies an innocent Italian musician and his daughter, whom he arrests. For this false arrest Edward is discharged. And in this plight he meets Carmen and her grandfather, who live in a derelict vessel and who make a living by the violin playing in the streets. While protecting Carmen from a drunken sailor Edward is badly hurt and is taken in and cared for in the old hulk. Carmen throws aside her boy's clothes and puts on feminine apparel and imitates the dock watchman's daughter and coquettes with Edward, who at last identifies her as the girl whom he was originally employed to seek. They are in love, but keep it secret from the woman hating grandfather. Other detectives, employed by the stepmother this time, have located Carmen, and Edward in defending her is knocked out, while the stepmother and Carmen take a steamer home. Edward with a friend in a fast motorboat follows, and Carmen jumps from the steamer and is rescued by Edward. The stepmother pursues in a pilot boat, but they finally make their escape to marriage and happiness.